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Capo's Reblog/Silly Stuff Blog

Ladything, 24, professionally awkward.

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AIM: acaporushes

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much better


much better



here’s an example of how insidious this is:

If you were one of those young girls who was simultaneously told that she was smart and talented and loveable for being smart and talented but also told that men were smarter and more valuable than women, you…

This is a weird battle I have with myself and other women all the time. If you put feminine and masculine on a sliding scale at opposite ends (for some reason), I would tilt almost all the way to the feminine side— but I spent equal parts trying to embrace and hate that part of myself until I moved across the country (after which I think I do more of the former than the latter, I hope). It pops up also when I make friends with other women, especially clever/nerd women, because I think a lot of times my interest in feminine things like fashion/cosmetics/sparkles gets me initially dismissed as an unfortunate brainwashed by the patriarchy. *shrug* I’m not really going anywhere than this but it comes up a lot. Life sure is complicated sometimes!



I made a comic from the mechanic/robot thing i drew a while back BUT THEN I REALIZED THAT I HAD TOO MANY THINGS I WANTED TO DRAW and i couldn’t fit it in 10 pictures and then i gave up and ended up with some small thing without any plot omfg i can’t do comics 

im sorry that it is an OBNOXIOUSLY LONG POST but it’s easier to read this way  i thin k /  



I LOVE THIS p-please make more omg * A *


SAYO YAMAMOTO (山本 沙代 Yamamoto Sayo; born April 13, 1977/ age 36) is a Japanese anime director. She is known for directing the critically acclaimed anime series Michiko to Hatchin and Lupin III: The Woman Called Fujiko Mine. After graduating from the College of Art and Design in Tokyo, she began work at Studio Madhouse at age 25.

During her time at the College of Art and Design, Yamamoto focused her attention on animation, as she felt less interested in the other things she was being taught. Her student project was an animation about samurai using actor, and frequent Akira Kurosawa collaborator, Toshiro Mifune as an inspiration. While in the process of looking for a job after graduation, she showed this work to director Satoshi Kon (R.I.P).

Enthusiastic about her potential, Kon intended to hire her to work on his second feature Millennium Actress, but studio politics eventually caused her to leave the project.

She had her debut at Studio Madhouse working on the X television series headed by Madhouse director Yoshiaki Kawajiri. Soon after, she would have her first collaboration with directors Takeshi Koike and Katsuhito Ishii on the original video animation Trava: Fist Planet. It was during her time at Madhouse that she began her work on anime opening and ending animations, which she would go on to direct for many other projects.

Yamamoto has stated that it was during her work on Samurai Champloo where she felt she was first able to truly express herself. Samurai Champloo also marks the first time she worked with frequent collaborators, director Shinichirō Watanabe (Cowboy Bebop) and writer Dai Satō (Cowboy bebop, eureka Seven, Ghost In The Shell: Stand Alone Complex).

During her time working on Samurai Champloo at Studio Manglobe, she was offered the chance to direct a project with full creative control. At the time, she was busy with work on Champloo, so she thought about what kind of project she wanted to direct for about a year. During that time, she took a trip to Brazil where she found the inspiration for her first series Michiko to Hatchin. The series, about an ex-convict and a young girl in search of the girl’s father, was released in 2008.

At the press conference where Yamamoto unveiled the series, she said she wanted women especially to watch the series.

"Our time slot was late at night, so office ladies would be returning home, and worn out from the day, they could have a beer and watch it."

After a few years of working on storyboards and art for other projects, including movies Redline and Evangelion: 2.0 You Can (Not) Advance, she was approached by a producer to create a new Lupin III series, with full creative control. It was Yamamoto’s own idea to have the series take place before the start of the 1971 Lupin series, directed by Masaaki Ōsumi, and to have character Fujiko Mine in the starring role.


Her most recent works was director of episode 2 of the wildly popular Space Dandy : “The Search For The Phantom Space Ramen, Baby”

(via memorioustulpa)


The most beautiful cat cafe I have been to. It’s called Temari no Ouchi (Temari’s house) in Tokyo, Japan. The soft music and ambience feels like you are in a Studio Ghibli film. Had to take the Japan Railway there, but was totally worth the extra trip, & unlike the central Tokyo cat cafes, this one has no time limit, so feels totally relaxed. Several girls were even sleeping there amongst the cats.

No time limit?


(via frowny)


Page 382, AND the end of Chapter 9!
Chapter 10 will start soon!



Page 382, AND the end of Chapter 9!

Chapter 10 will start soon!





Here it is! Impact Theory is a comic I’ve been working on for the past few years, and I have ~finally~ have gotten to a point where I can launch it! It’s a boys love story inspired by astronomical events~ It has curses and fated head wounds and split personalities and boys kissing and I’m real dang excited to finally be putting it out there!

These are the first six pages! I am trying not to think about the flowers I have to draw later on;;; I will be updating this comic on Fridays at noon, CST!

Thank you for reading, and reblogs are greatly appreciated to help spread the word of my gay earth and moon comic. <3

wooooww it looks super great so far! ÖuÖ



(Source: seduceandestroy)


(Source: friendswithcrash, via kawaiimon)


SlideShow s01e02: Tilt the set! [x]

australian comedy at its finest

ok let the record show i watched an episode of this recently and it’s actually super hilarious for such a super dumb basic premise. 

(Source: leontina)